Orpheus in the Underworld: Essays on Music and Its Mediation. Theodor W. Adorno, Douglas Robertson
Orpheus-in-the-Underworld.pdf
ISBN: 9781803093222 | 300 pages | 8 Mb
- Orpheus in the Underworld: Essays on Music and Its Mediation
- Theodor W. Adorno, Douglas Robertson
- Page: 300
- Format: pdf, ePub, fb2, mobi
- ISBN: 9781803093222
- Publisher: Seagull Books
Books and magazines download Orpheus in the Underworld: Essays on Music and Its Mediation (English literature) 9781803093222 by Theodor W. Adorno, Douglas Robertson
Delves into Theodor W. Adorno’s lesser-known musical career and successful music criticism. Theodor W. Adorno is recognized as one of the twentieth century’s most prominent social theorists. Though best known for his association with the Frankfurt School of critical theory, Adorno began his career as a composer and successful music critic. Comprehensive and illuminating, Orpheus in the Underworld centers on Adorno’s concrete and immediate engagement with musical compositions and their interpretation in the concert hall and elsewhere. Here, Adorno registers his initial encounters with the compositions of the Second Viennese School, when he had yet to integrate them into a broad aesthetics of music. Complementarily essays on Bela Bartók, Jean Sibelius, and Kurt Weill afford insight into his understanding of composers who did not fit neatly into the dialectical schema propounded in the Philosophy of New Music. Additionally, essays on recording and broadcasting show Adorno engaging with these media in a spirit that is no less productive than polemical and focused as sharply on their potentialities as on their shortcomings. Orpheus in the Underworld offers a captivating exploration of Adorno’s musical compositions, shedding new light on his understanding of influential composers and his critical perspectives on recording and broadcasting.
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music is a pointless rigmarole?” From Theodor W. Adorno's Orpheus in the Underworld: Essays on Music and Its Mediation, translated by Douglas Robertson, to
Orpheus in the Underworld: Essays on Music (The German
Comprehensive and illuminating, Orpheus in the Underworld centers on Adorno's concrete and immediate engagement with musical compositions and their
Orpheus in the Underworld: Essays on Music
Here, Adorno registers his initial encounters with the compositions of the Second Viennese School, when he had yet to integrate them into a broad aesthetics of
Theodor W. Adorno
Titles · Mahler: A Musical Physiognomy. Mahler · Night Music: Essays on Music 1928-1962. Night Music · Orpheus in the Underworld: Essays on Music and Its Mediation
On Musical Mediation: Ontology, Technology and Creativity
I have argued that music's ontology and its mediation must be grasped as historical. Adorno, Essays on Music. Berkeley CA: University of. California
The Rediscovery of Orpheus During the Renaissance
Orpheus's retrieval of Eurydice from the underworld: “His lyre . . . far ture, architecture, music, and the ancient singing of songs to the Orphic lyre.”.
Orpheus in the Underworld: Essays on Music and Its
Orpheus in the Underworld: Essays on Music and Its Mediation (The German List) ; ISBN: 9781803093222 ; Pages: 300 ; Description. Delves into Theodor W. Adorno's
The Myth of Orpheus & Eurydice in Modern and Postmod
As a poet and musician, Orpheus is also unique because he. Page 16. 8. “did not rely on the power of his music exclusively: he also took physical action,.
(PDF) Technology, Microtones, and Mediation in Manfred
Through analysis of its intricate musical structures and technological dimensions, I demonstrate that Orpheus Orpheus: Orpheus descends to the underworld
Orpheus in the Underworld: Essays on Music (The German
Though best known for his association with the Frankfurt School of critical theory, Adorno began his career as a composer and successful music critic.
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